Showing posts with label Museo Afroperuano de Zaña. Show all posts
Showing posts with label Museo Afroperuano de Zaña. Show all posts

Thursday, January 8, 2015

My Peru diary - day 5 (filming)

Diary, day 5 (Dec. 9, 2014)

FILMING

Since I've arrived, I've recorded a very interesting interview with Luis Rocca, director and one of the founders of the Museo Afropeuano de Zaña (Afro-Peruvian Museum of Zaña) and filmed two interesting interviews plus some  really great cajón demonstrations with Lalo Izquierdo (a percussionist, dancer, choreographer and folklorist...as well as a great human being).  Tomorrow, I'm supposed to film an interview with the widow of a former Afro-Peruvian percussionist great, Ronaldo Campos.

Luis Rocca, with Luisa (Nachi) Bustamante (wife of Cotito) and their son, Carlos Medrano.

My camera person for the Lalo Izquierdo filming did not do as good a job as I'd hoped...not a disaster, but problematical enough so that I'll do the filming tomorrow all by myself...and interview the widow at the same time.  My fingers are crossed that it will turn out well!  

I have other camera people, and a sound person for the BIG SHOOT on Dec. 18, where we'll film three percussionists and a guitarist performing, and also film an interview with the percussionists.

Setting up for the interview with Lalo Izquierdo.

Locations are always a problem, and Lima is even noisier than Jerez de la Frontera.  Thank goodness for those little mics you clip to your lapel.  They make it possible to record a decent interview even in noisy circumstances.  Thank goodness for my precious Zoom H-2 mic and digital recorder.  Thank goodness for....

I also seem to have surmounted the various technical problems I encountered on first arriving, but don't want to overstate this.  There can always be new technical problems tomorrow.

Me with Lalo at the time of the interview.
And that's it, folks.  I'm attaching a few photos here for your pleasure and general edification.  As you see, the ocean is way, way down there.

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(For more photos, go to the Facebook pages of Palomino Productions, A Zest for Life Afro-Peruvian, and Eve A. Ma.)

I am in Peru for reasons related to our documentary, A Zest for Life, and other work about Afro-Peruvians.

Saturday, March 2, 2013

Museo afropeurnao de Zaña, Peru

The final cultural organization I want to write about is the Museo afroperuano de Zaña.  Located in the city of Zaña, in the northern coastal region, it has been extremely active over the past several years in activities intended to preserve and publicize Afro-Peruvian culture, including the music and dance.

Founded in 2005, their first major effort was the reconstruction of one of the percussion instruments developed by Afro-Peruvians, a drum called the tambour de botija.  "Botija" means "treasure."  It´s a bit unclear to me if they mean these instruments are treasures, or if it refers to one specific kind of drum.

In any event, they made a video in which people, mostly youth, are playing various of the drums and other percussion instruments of the Afro-Peruvian community, plus there is some dance, including a long section of the Dance of the Devils (son de los diablos).  It´s pretty interesting.

More recently, the museum (which is also very much of a cultural organization) began promoting a come-back of the percussion instrument called the "checo," made out of a gourd which has the same name.  This included planting the vine on which the checo grows, turning the gourds into percussion instruments, giving classes in its use, making a video about it, and petitioning the Peruvian government to declare the checo a national, cultual treasure.

And even more recently, they have published a book about Afro-Peruvian musical instruments.  This organization is definitely doing a lot to maintain Afro-Peruvian culture, and rescue some elements that were about to disappear.

OUR NEXT POST will announce that for future information about Afro-Peruvian culture, and other aspects of cultural diversity on which we focus, you should go to the blog Palomino Productions.