Well, we've done it. The final version of our documentary film about Afro-Peruvians is officially out on DVD. As you may already know, it's called A Zest for Life: Afro-Peruvian Rhythms, a Source of Latin Jazz. and boy are we glad it's out.
Several months ago, we gave a party to celebrate its completion and afterwards, I located some new footage which I really wanted to include. Getting it in the proper format and with the proper permissions was a long, involved task, but I did it.
The new stuff is mainly a segment in which three famous Afro-Peruvian percussionists are sitting on the front steps of a building in the city of Zaña in Peru, improvising on the checo together. The checo, as you surely know by now, is a percussion instrument made out of the checo gourd.
Who are these famous percussionists? Well, there´s Hugo Bravo, who plays percussion for Susana Baca. There´s Juan Medrano Cotito, who plays percussion for almost everyone, including Novalima. He recently toured in the United States and I´m very, very sorry to say that I missed him.
And there´s Mangue (Manuel Vasquez Goyoneche) who, I am sad to say, recently passed away. Below, you see him doing zapateo footwork (after the young lady, a relative, finishes), with Cotito behind him on cajón and Roberto Arguedas playing the guitar.
And when you see the three of them playing together, it is awesome. I wish I could do that!
By the way, I do want to make it clear that what we´ve just brought out is the Home Use version. We'll produce the Educational version in November. The main difference between the two versions, other than price, is that the Educational version will have some different Extras, directed towards, well, education.
So if you want to check out our great new DVD, purchase it now at www.AZestforLifeDVD.com. Or if you live in the San Francisco Bay Area, you can go watch it in the Berkeley Video & Film Festival. The festival runs from Dec. 7-22. I´ll let you know the day and time of the screening for A Zest for Life once we´ve been told.
OUR NEXT POST will be a few more details about A Zest for Life.
Tuesday, October 30, 2012
Thursday, October 18, 2012
The checo and the angara: preserving traditional musical instruments
The checo and the angara are two percussion instruments made out of gourds that come out of the Afro-Peruvian tradition. Both are big; that is to say, the checo is very big. The angara is huge.
The angara, both the vine which bears the gourd and the use of that gourd as a percussion instrument, seems to have disappeared. Indeed, it is so little known today that National Geographic´s article on Afro-Peruvian music confuses it with the checo. You can, however, still see it being played in a YouTube video taken from a Peruvian television show filmed in the 1970s.
This great video (above), with host Dr. José Durand and percussionists Abelardo Vasquez and Arturo Zambo Cavero, is the only one in which I´ve been able to find anyone playing the angara.
The checo, on the other hand, is staging something of a comeback, due largely to the efforts of the Museo afroperuano de Zaña, whose directors searched for its seeds, planted a field with those seeds, harvested and prepared the gourds, and started classes for local youth. The organization also persuaded the Peruvian government to declare the checo to be a national cultural treasure.
This is lovely, and delightful.
But why should we bother to preserve traditional percussion instruments...or any traditional musical instrument, for that matter?
First, other than the checo and the angara, what are some of these instruments? Well, think of all the different kinds of flutes made out of bamboo, or cane, or ceramics. Think of drums made out of hollowed out logs, or giant jars, with their heads covered with animal skins (a specific animal favored for each specific drum). Think of zithers made out of bamboo or sticks of wood. Think of conch shells used in the islands of the Pacific as a musical instrument, and the shekere made of ceramic and shells used in West Africa. Think of chimes, again made out of wood or bamboo. Think of rattles made out of deer hooves and bells made out of ceramics or iron. Think of musical instruments made out of animal bones. Think of the viola de gamba, the tambourine, the bagpipe.
Above is some very good checo playing, although not typical--he isn´t singing in Spanish, and in addition, the sound hole is at the top instead of on the side, as is more usual.
For a larger list, which is very interesting but unfortunately restricts itself mostly to traditional instruments from Europe, see this LINK.
There are hundreds of traditional musical instruments in the world, and they bring an astounding richness to our collective musical heritage, in addition to their contributions to the culture of the specific community which developed them.
And why preserve them? Well, if reading the list above doesn´t convince you that they are in fact essential to music including modern music, I´ll add a few more reasons:
Many of these instruments have beautiful and/or interesting sounds that you cannot produce by any other means. No, a synthesizer won´t do it. Doesn´t have the flexibility, the depth of sound, or the sweetness you find in some of these instruments.
More Afro-Peruvian musical instruments...all except the kalimba, which comes from West Africa (Ghana and nearby countries).
Many of these instruments are so deeply linked to the history and heritage of the community which produced them that to lose them is to damage that heritage.
And for a last reason, keeping these instruments alive helps preserve us from sameness, from monotony, from homogenized music in which one composition sounds depressingly like all the others.
Just to let you know that we have put our money where our mouth is: in the home use version our documentary, A Zest for Life: Afro-Peruvian Rhythms, a Source of Latin Jazz, we have a section in which master percussionists are playing the checo. In addition, in the educational version of the documentary, not only do we have that checo segment but as one of the Extras we have the videoclip you see near the top of this post of someone playing the angara.
So there.
OUR NEXT POST will be news about our documentary, A Zest for Life.
The angara, both the vine which bears the gourd and the use of that gourd as a percussion instrument, seems to have disappeared. Indeed, it is so little known today that National Geographic´s article on Afro-Peruvian music confuses it with the checo. You can, however, still see it being played in a YouTube video taken from a Peruvian television show filmed in the 1970s.
This great video (above), with host Dr. José Durand and percussionists Abelardo Vasquez and Arturo Zambo Cavero, is the only one in which I´ve been able to find anyone playing the angara.
The checo, on the other hand, is staging something of a comeback, due largely to the efforts of the Museo afroperuano de Zaña, whose directors searched for its seeds, planted a field with those seeds, harvested and prepared the gourds, and started classes for local youth. The organization also persuaded the Peruvian government to declare the checo to be a national cultural treasure.
This is lovely, and delightful.
But why should we bother to preserve traditional percussion instruments...or any traditional musical instrument, for that matter?
First, other than the checo and the angara, what are some of these instruments? Well, think of all the different kinds of flutes made out of bamboo, or cane, or ceramics. Think of drums made out of hollowed out logs, or giant jars, with their heads covered with animal skins (a specific animal favored for each specific drum). Think of zithers made out of bamboo or sticks of wood. Think of conch shells used in the islands of the Pacific as a musical instrument, and the shekere made of ceramic and shells used in West Africa. Think of chimes, again made out of wood or bamboo. Think of rattles made out of deer hooves and bells made out of ceramics or iron. Think of musical instruments made out of animal bones. Think of the viola de gamba, the tambourine, the bagpipe.
Above is some very good checo playing, although not typical--he isn´t singing in Spanish, and in addition, the sound hole is at the top instead of on the side, as is more usual.
For a larger list, which is very interesting but unfortunately restricts itself mostly to traditional instruments from Europe, see this LINK.
There are hundreds of traditional musical instruments in the world, and they bring an astounding richness to our collective musical heritage, in addition to their contributions to the culture of the specific community which developed them.
And why preserve them? Well, if reading the list above doesn´t convince you that they are in fact essential to music including modern music, I´ll add a few more reasons:
Many of these instruments have beautiful and/or interesting sounds that you cannot produce by any other means. No, a synthesizer won´t do it. Doesn´t have the flexibility, the depth of sound, or the sweetness you find in some of these instruments.
More Afro-Peruvian musical instruments...all except the kalimba, which comes from West Africa (Ghana and nearby countries).
Many of these instruments are so deeply linked to the history and heritage of the community which produced them that to lose them is to damage that heritage.
And for a last reason, keeping these instruments alive helps preserve us from sameness, from monotony, from homogenized music in which one composition sounds depressingly like all the others.
Just to let you know that we have put our money where our mouth is: in the home use version our documentary, A Zest for Life: Afro-Peruvian Rhythms, a Source of Latin Jazz, we have a section in which master percussionists are playing the checo. In addition, in the educational version of the documentary, not only do we have that checo segment but as one of the Extras we have the videoclip you see near the top of this post of someone playing the angara.
So there.
OUR NEXT POST will be news about our documentary, A Zest for Life.
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